Lonely Woman Pat Metheny Pdf
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The “Linda 6” is equipped with a Takamine pickup and was the guitar used to record Lonely Woman on the Rejoicing album. Pat also plays on a Linda Manzer nylon string, the Manzer Pikasso guitar (42-string), the Manzer Sitar, the Manzer Baritone, the Manzer flattop 12-string, the “Little Manzer”, Manzer “The Studio”, the Manzer Mini. Lonely Woman Submitted By. Album: Rejoicing: Category: Lead Sheets: About: Lead Sheet for 'Lonely Woman' by Pat Metheny off the album 'Rejoicing'. Eternity and beauty (for pat) special guest: pat metheny lyrics: noa music: pat metheny eyes as blue as the wind and everything inside waiting to begin where is the child that used to dream of a train over the plains and the sky where the sparrows fly at dawn along the lines of a cloud in eyes as deep as the rain there’s no way to explain it.
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Pat Metheny Albums
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- 31-07-2020, 23:20
- 2020 | Jazz | FLAC / APE | HD & Vinyl
Title: Rejoicing (Remastered)
Year Of Release: 1984
Label: ECM
Genre: Jazz
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 43:51
Total Size: 266 MB / 0.98 GB
WebSite: Album Preview
1. Lonely Woman (6:55)
2. Tears Inside (3:50)
Pat Metheny Top Songs
3. Humpty Dumpty (5:42)4. Blues For Pat (6:05)
5. Rejoicing (3:19)
6. Story From A Stranger (5:53)
Lyle Mays
7. The Calling (9:51)Lonely Woman Pat Metheny Pdf Video
8. Waiting For An Answer (2:17)
Pat Metheny Group
Those of you who, like me, hold Bright Size Life in high esteem as one of Pat Metheny’s best can take comfort in this, his second trio album for ECM, even if the presence of Ornette Coleman’s onetime rhythm section of bassist Charlie Haden and drummer Billy Higgins creates an entirely different result. As on the scratched cover, the names are distinct to a careful eye, but eventually comingle into a unified sound that bubbles with color and shades of intensity.
The session saunters into our hearts with an arresting version of Horace Silver’s “Lonely Woman.” Metheny’s acoustic leads a supremely attuned Haden, who plunks the ether like a giant rubber band as Higgins rustles an autumn’s worth of leaves with his brushes. It is through this play of light and shadow that we find solace in “Tears Inside,” a strangely upbeat affair for which Metheny breaks out the subtle sere of his electric. “Humpty Dumpty” is an even more visceral jaunt through storybook phrasings and fluid guitar licks. The short but sweet title track completes the Coleman half of the album and features some dexterous runs, matched step for step by Higgins’s cymbal work and Haden’s own nimble jaunts. Higgins has one of the most precise snares in the business, as evidenced in his solo. Haden stretches an unassuming flair in “Blues For Pat,” which also boasts Metheny’s most present solo on the album and more percolating beats from Higgins. “Story From A Stranger” reprises Metheny’s shimmering acoustic, which glistens with a backcountry charm, seeping like morning light into a log cabin of secrets. Against this perfect backdrop, Metheny’s soloing reaches some of its most revelatory ever recorded. Another Metheny original, “Waiting For An Answer,” makes for an enigmatic, arco-laden closer.
The album’s only misstep is “The Calling,” the synth guitar of which doesn’t quite jive with me (though flashes of brilliance do appear, as in the ascent at 7:20). And while I do appreciate the improvisatory spirit behind this track, I only wish it had been more properly amped, for at nearly 10 minutes it throws off the delicate balance of its surroundings. But don’t let this one personal caveat deter you from basking in the beauties of those surroundings.
Incidentally, one of engineer Jan Erik Kongshaug’s finer accomplishments.
'Pat Metheny takes a vacation from his Group and performs advanced material with bassist Charlie Haden and drummer Billy Higgins. In addition to Horace Silver's 'Lonely Woman,' Haden's 'Blues for Pat,' and three Ornette Coleman tunes, the guitarist plays three of his originals here, including 'The Calling,' a lengthy exploration of sounds with his guitar synthesizer. Throughout this excellent set, Metheny and his sidemen engage in close communication and create memorable and unpredictable music.' (Scott Yanow, AMG)
Pat Metheny, acoustic and electric guitars, guitar synthesizer
Charlie Haden, double bass
Billy Higgins, drums
Recorded November 29 and 30, 1983 at Power Station, New York
Engineered by Jan Erik Kongshaug
Produced by Manfred Eicher
Digitally remastered by Christoph Stickel
Pat Metheny - Rejoicing (Remastered) FLAC.rar - 266.3 MB
Pat Metheny - Rejoicing (Remastered) Hi-Res.rar - 1004.0 MB
Pat Metheny Cd
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